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Dinning has often been credited with (or blamed for?) inciting others to create their own dead-teen tunes. There was some controversy surrounding the song's message, but it did little to slow momentum in February, Dinning's "Angel" followed Preston into the number one spot and the "teen tragedy" craze was off and running. 'That fateful night the car was stalled upon the railroad track.I pulled you out and we were safe.but you went running back.' and so the song went, seemingly geared to a younger-than-usual listener, progressing at a morbid level those other recent hits hadn't approached. Two weeks later, Johnny Preston topped the chart with "Running Bear," recounting a story about American Indian sweethearts whose love led them to '.that happy hunting ground.' Then Mark Dinning's "Teen Angel" came along, with details just grisly enough to make adolescents wince. In 1960, fictional death songs started coming on strong Marty Robbins kicked off the decade with "El Paso," a number one hit that kills off the hero at the end. Tommy Dee, Carol Kaye and the Teen-Aires' 1959 hit "Three Stars," legendizing the plane crash that took the lives of Ritchie Valens, Buddy Holly and The Big Bopper, was a reaction to a real-life tragedy. The Grim Reaper's presence was felt from time to time in top sellers of later years ( "The Bells," a funereal 1953 hit by The Dominoes, is particularly mournful). These types of tragic narratives were nothing new the blues of the '20s and '30s frequently wallowed in morbidity, as did the occasional pop or country song ( Roy Acuff's 1942 recording of Dorsey Dixon's "Wreck on the Highway," for example, made an unsubtle statement about drinking, driving, blood and prayer). In 1988, Collectors Choice released an outstanding collection of the Dinning Sisters greatest hits, which is well worth checking out."Happy Days?" Not necessarily! This common phrase, often used to describe the era of the 1950s and '60s, lacks the ring of truth if you take into account the peculiar abundancy of "death discs," one of the strangest of all musical trends. Marriages and children eventually demanded the act's attentions, but the family remained involved in music, from Jean Dinning writing the song "Teen Angel" to the sisters' nephew Dean playing bass for alterna-rockers Toad the Wet Sprocket. The group underwent a few lineup changes over the years (Lou was replaced in 1946 by Jayne Bundesen, who was in turn replaced by Tootsie Dinning in 1952), but their albums for Capitol sold consistently well, including their debut release Songs by the Dinning Sisters which held the top spot on the charts for 18 weeks. They were hired and remained for seven years, and ultimately became the highest paid radio act in the Windy City. With little experience but a lot of ambition, the young ladies left their Oklahoma hometown and traveled to Chicago, where they auditioned for NBC radio.
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Three of the sisters, twins Jean and Ginger and sister Lou, started to win amateur singing contests before the age of ten, and later began to perform with older brother Ace's orchestra. The Dinnings were a musical family of nine children, all of whom started singing harmony in church, and then spent their Sunday afternoons singing for fun. | Vocal Jazz | Choral | Christmas | Instructional | ArrangementsĬlassical | Opera | Musicals | Personality | Young Singers | Disney | Videos | Songs | The Artists The Dinning Sisters Home | Doo Wop | Barbershop | World | Contemporary | Christian In Celebration of the Human Voice - The Essential Musical Instrument